Thursday, March 27, 2014

Till Kingdom Come: Details from a renaissance dreamland.





 Each time I walk through the rooms of the palace of the Louvre, I am constantly struck by new and unfamiliar details. While everyone is swooning over Venus or La Joconde, I lock eyes with aspects such as a door, a ceiling, a corner, or a forgotten wall. Symbols and memories of monarchs of the past, I stand in admiration of the golden ages, and I realize how even the smallest details can influence any creative being, transforming what we capture into our personal form of expression.


To whom your presence is always extant, not only in your great attractions, but in the details you left behind…


The world was their kingdom 
Across vast plains and open seas 
The age of terrifying glory 
Or glorious terror as it seems

As I walk through these walls, you are awakened 
Where eternal sleep has slayed your fight
But a dreamer's heart is seldom mistaken
And a promise whispers: "We have yet to bid the world goodnight."

I salute a regal presence in turbulent dance
Through walls and spaces brimming in betrayal, drained by romance 

Some look down with arrogance in their flair 
While others remain broken from a dreadful affair 

And as some proclaim their victories 
Others shall morn throughout the centuries 

Kings and Queens of an abundant past 
In hopes and prayers of tales that may last 

Your Sleeping Majesties and esteemed guest
For in your kingdom I shall always pay my respects
“And may flights of angels sing thee to thy rest”



“My Crown is in my heart, not on my head:
Not deck'd with Diamonds, and Indian stones:
Nor to be seen: my Crown is call'd Content,
A Crown it is, that seldom Kings enjoy.” 
William Shakespeare




  

Tuesday, March 25, 2014

"HER RECKLESS HEART" REVIEWS THE COLLECTIONS FOR D’NA


The carpets are rolled back, the flashes dimmed, the stages are empty and all the glamorous people have gone back to glamour land. As the streets start clearing and reality kicks in, I sit back sipping my coffee recapping this season Fall / Winter 2014 highlights…


http://www.dnariyadh.com/moodboard/20140323-her-reckless-heart-reviews-the-collections-for-dna

Saturday, March 8, 2014

My Words, Your Eyes: Inspired by Peter Linbergh's Windy Summer, Vogue Italia 1999.

You Cannot Carry the Wind in Your Arms.



 Slow down… Slow down
You run a fictitious race. For the winds you are dancing with can be deceiving. A mythical shelter that will perish once you are defenseless and have run out of breath. Even the most fervent gaze will not be capable to thoroughly detect her. Your hands will reach a great distance, yet she remains intangible. For once she belongs to the vast sky, and at last she is free. She dances over the landscapes and plains of forgotten highways and broken roads, a captivating contradiction of prayer and destruction. Discard your sense of touch and wallow in feeling, for you can only take a breath deprived from seizing. 

Slow down… Slow down
For today she is the aftermath of a beautiful storm, from which she still bears the weight of the heavy drops of his reign, and the occasional roar of his thunder. Somewhere between the heavens and earth, a bewildered heart yielded to a thundercloud. For now, she speaks only to the faint stars of the night sky, brilliant and broken. 

Slow down… Slow down
She moves willingly and uncontrollably, with dignity even in her disturbance. Exhausted in the unknown, gradually, shedding the debris of a hypnotizing whirlwind. Towards an unidentified destination, she maneuvers her remaining strength for as long as she is destined. And until the day has come, she prevails as her own sovereign, until she attains clarity and alas surrenders to gravity. But for now, a thundercloud still roars in the distance, she is in the midst of winter, and still the rainfall is dense. But someday she will fall on new land, and maybe just maybe catch a vibrant kite in her zephyr.


We will have all the time in the world. 

Saturday, January 25, 2014

Silver Screens & Silver Linings :

It’s been going on for quite a while now, even before sound was ever created. It seemed like love at first sight, or at first take I should say. They have quite the history these two:

The torment, the betrayal, the ones we never thought could never fail

The journeys, the endless walk amidst the shadows, and at last the rise of the broken heroes

The magic, the land of nightmares and dreams, as Phaedrus believes “Things are not always what they seem”

The glamour, the beauty, the real and the ugly

Totally, tenderly, tragically

The world of fashion and cinema

An epic love story.







“Cinema is truth, 24 times per second.”  Jean Luc Godard

At a time when silver screens were the only real silver linings, the cinema was always an escape from a harsh reality. For a few hours, many were able to simply dream and leave their troubles behind in a world filled with instability and turmoil. Back and forth they swayed with stars like Ginger and Fred, hypnotized, mesmerized, and for once blissful.



And from then on, it began, the rise of the revolutionary empires called studios. The cinema became not only an escape, but also a handbook on how to live, how to dress, and by all means, how to undress and eventually set the tone, the attitude, and most significantly the fashion of each era.



The Bad Boy Philosophy:

It was never merely about the jeans or the washed out T’s: it was how they wore it. It was the fact that no matter how ragged it looked, they could still pull it off superbly. Whether a tuxedo, or a leather perfecto, it never really mattered. Their provocative looks, effortless confidence and “I can do whatever the hell I want” philosophy, established what we call today the original “bad boys.” From James Dean to Marlin Brando, to Paul Newman, they developed the hip new “rebel” style. Their mannerisms, body language and attitudes they portrayed both on and off screens, compelled us to fall in love with them, to this very day. They personify the thrill of an adventure, a fantasy far from normality. These boys will always be boys.




The Rise of the Divas:

The unreachable, unattainable goddesses, and the epitome of glamour in which many not only admired but also sought refuge in. Exotic beauties set the trends and flourished into stardom alongside the masterminds behind their exquisite garments on the sliver screens. Designers like Paul Poiret shone alongside Miss Garbo, and others like Travis Banton fabricated gowns only depicted in dreams, such as the one he created for the movie Angel. Stars like Jean Harlow and her platinum blond locks and Marlin Dietrich with her masculine flare created an uproar, diversifying the styles of the time, taking fashion a step forward into the contemporary.



Changing the course of fashion, one take at a time:


"It's a mistake you always made -- trying to love a wild thing." Holly Golightly


-"Why don't you love me anymore?" Paul
-"That's life" Camille 


"So what will be left of me in the end?" Polly Maggoo


"I've never seen such beautiful shirts before." Daisy


"I got some bad ideas in my head." Travis Bickle


"Isn't it more fun when you don't have permission?" Mia Wallace




Tuesday, January 7, 2014

Peace, Love & Tie-Dye : The Women of Woodstock




A while ago, I came across this photograph while researching the hippie era and its immense influence on fashion today. It was one of those images that just resided in my mind, consequently awakening a curiosity in me towards who I like to call, the child of Woodstock. Was it her look, her gestures, her movement or her grace? It was certainly something far beyond what my eyes could see. It just seemed like all she represented and all she stood for was captured in this single moment.






Who is she? And what is her message? In my words, this is what she would have had to say:

I am a rebel
A rebel with a cause
In fact, the greatest cause of my time 

I am free
My mind has no boundaries
From the highest peaks of insanity to the grounds of reason
Thoughts run like my blood of yellow sunshine and purple haze
Wild, like the tangles of my undisciplined waves

I am exposed
My heart is on my sleeve and my soul keeps me clothed
I have nothing to hide
I have nothing to lose
My world might seem disordered but I am not the one confused

I am change
I am the rise of a new age 
I am a peculiar flower on branches breaking away from their roots
Blooming solo, in rainbow colors and cowboy boots

I am unconventional
I do not play by the rules
For in my world we stand indifferent towards your ideologies, systems and schools

I am fearless in the land of conformity
I swim against your raging tides
I live to make waves of diversity in the waters you have standardized

I am an individual by thought
A movement in my presence
Young in my years
Yet mature in my acceptance

I am a lover
I am the revolution
I am the explorer of all that is beautiful 
One who refuses to be blinded by your constitution

I am the streets
I am your raving summers
I am the offspring of the beats

In the words of Ginsberg “I wake to see the world go wild”
I am peace 
I am love 
I am forever the flower child


Today...
I am depicted in history
After all, fashion is a display of change 
But to you I will remain a beautiful mystery
A queen on the Woodstock plain

From here on out, 
You are free to embrace your style as a form of expression
As flowers grew out of the thorns of depression

They said we had to take our heads out of the clouds 
But we changed the trends of an era without asking to be crowned

So dream on… dream on…
Rewrite your stories 
Let your hair down

Dance to the beat of your own drum 
Free your mind
Free your heart
Soon after, a new age will start













Monday, December 16, 2013

Airborne: An Homage to Philippe Halsman





Somewhere between the earth and sky
She floats aimlessly in mid air
Seemingly effortless, discretely observant
Presumably careless, subtly trembling with fear

“Am I Hanging?” She wonders

Will her fingertips ever reach those stars?
Will her feet ever stand their ground?
Trapped in a picture perfect world
She always belonged to the darkness
Infatuated by the disturbed
Somewhere between a place called home and the endless unknown
They call it limbo I suppose…
Till now, she never really knew what it felt like to be alone

And in this hour she gazes above
A clarity comes forth reflecting on the night
For once the darkness is immaculate
And she discovers that she has wished upon too many starless skies

“Am I falling?” She wonders

How can the stars shift their path in a heartbeat?
Stubborn as hell, will she ever feel complete?
Bewildered and astray, lights flicker from all around
Will she fall among the stars or will she hit the ground?
Which are blazes of fire and which are the lights of the highways and lands?
What appear to be signs of the road where she once began
But her head held high,
Towards a trail pointing to an unexplored sky
“Not again”
She stands tall
“How could it be?”
For the same reason that once lifted her is causing her to fall
Her eyes still slightly hypnotized
And yet, she slowly begins to rise

“Am I soaring?”
Yes you are.

Solo and free
For once, you are exactly where you are supposed to be
In all your stubbornness and grace
You are far more than just a pretty face

Rise my broken beauty, rise

For today is the first day of the rest of your life.





"Starting in the early 1950s I asked every famous or important person I photographed to jump for me.  I was motivated by a genuine curiosity.  After all, life has taught us to control and disguise our facial expressions, but it has not taught us to control our jumps." –P.H.
                   












   
      

Wednesday, December 11, 2013

To the Masters, Chapter One: Dear Yves.




Dear Yves,
I hope this letter finds you well old friend.
It has been quite a while since we last spoke — since my fingers caressed your velvet trimmings, silk pleats and those perfectly tailored white shirts. 
Remember the day we first met? Three years ago, though my admiration for you began many years prior, when I was just a little girl and my mother spoke of the golden age when you reigned as the little prince of your time. You awoke a curiosity that led me to a world where I found myself. A world that kept calling to me, even at times when I did not want to listen. A brave new world of spectacle and absolute expression. However, on that beautiful April day, our relationship somehow became much more personal as I entered a land of cobalt blue and enchanting hues. Your secret garden blossoming with mystery and a serene power imbued with eccentricity and warmth; it was playful yet sinful, wild but tamed, a beautiful reflection of you Yves, a prince of many different moods and colors. I saw you that spring day, roaming with all that awkward grace, your hair flickering in the breeze as you spoke to the flowers with that timid voice of yours. You were staring at all those humans walking in and out admiring a mystical world that was not so secluded anymore. I wondered if you were quite happy about that? You seemed a little agitated beneath your calm surface. But I understand, Yves. I’m sure even spirits need their space sometimes. Nevertheless, what a magnificent day that was. For I had never really loved Monsieur Saint Laurent, until I glimpsed Yves himself. 


You know, my favorite book of all time is The Little Prince. He is embedded in the night as the essence of every dreamer. I like to believe that in each era he reincarnates himself onto different realms through certain beings to add beauty to our world. His essence suffused your art, crowning you as the Little Prince of couture. Through you, he was brought again to life in a world of beauty and exquisite creation, allowing him to express himself to a new generation. And just like him, you never really grew up. Do you remember these words?  “Here is my secret. It is very simple: one sees well only with the heart. The essential is invisible to the eyes.” Well, your heart, my friend, was always as beautiful as what you made. 
You know Yves, you remind me of someone dear to me, which is perhaps why I understand your struggles. Tell me, that night at Marie’s house, did you ever think you were going to meet the love of your life? I know you always had a strong intuition and a great belief in omens, but did you ever dream of a love like that? Were you ever scared of such a strong bond? Or did it feel natural to you, this sense of belonging? Jack Kerouac once wrote, “I’m a wretch but I love, love.” I can tell that you love, love just as much as I do.  Rest peacefully my friend, for you have achieved the greatest accomplishment of all, L’amour fou. One prays for a love like a river, steady and strong on the surface but forever raging with mad currents beneath. People like you and me, we live for love. Perhaps creative beings are initially born to love, then everything else just falls into place. 

Did you love the theater because it carried you away from a restricted reality to a limitless world? Did it free you to create garments that dreams are made of? I’m sure you loved the silver screen too—oh how I would love to watch a movie with you. I wonder which would it be? I suggest “In the Mood for Love” by Wong Kar-wai. The soundtrack is playing in the background as I write to you. I’m certain you’d enjoy it. 
My friend, you were a beautiful man. You captivated all the mad ones of your time. From Andy to Jeanloup to Horst, they were blinded by the brilliant clarity that pervaded your portraits. One couldn't simply underestimate the power behind your gaze, one which reflected both darkness and light. Your favorite artist was Picasso and I can see why. As the French would say, c’est tout a fait toi. But tell me, which was your favorite portrait of all? Perhaps the one by Bernard that hung behind your desk? That was a very young Yves, an eager but intricate mind.

I’m sorry if you feel you lost me at times. I tend to have an undisciplined train of thought. But I guess someone like you would surely understand.
You hate to be criticized, don't you? Maybe because you were always your biggest critic. I guess it’s ok to feel a little bitter at times. Remember the collection that didn't do too well in 1963? I heard you went off blaming all the models, which wasn't very nice of you Yves. But honestly, I don't take criticism lightly either, unless if it is from people that have always had my best interest at heart. Thankfully, you always had Pierre for that. I guess fire signs can be pretty stubborn; we just need to surround ourselves with those who give our life the equilibrium we need to help us blossom even in our times of solitude. 

I wonder, do masters always know their destiny? Catrine said you had a double personality that reflected onto your creations. I think I agree with her. But what baffles me is that it is almost like you never really knew how brilliant you were. Someone once told me that a wise man never knows that he is wise. Perhaps that is the secret of your genius. You always gave yourself the room to grow. 
                                          


Remember Karl, your old friend who took over Coco’s empire? He recently opened a store of his own on the Rive Gauche. I guess you influenced him too, for you were the pioneer of democratizing fashion. The ongoing love affair you had with the streets inspired many to develop their own individuality. I have a lot of respect for Karl, but I think nowadays he has no time for dreams during his very busy day. It’s quite a shame. Whereas you my friend, were always a dreamer of both the day and the night. 


You were quite loyal Yves. You always made the mad ones proud by bringing your people back to life. Your collections celebrated the Masters of the past, those untamed hearts that taught us all we needed to know about life and love. From Shakespeare to Matisse, you repurposed genius into a stunning new form: you gave their visions the ability to walk. It’s true, the mad ones should always stick together. And for as long as you lived, you did them justice.
You know, I was living in Paris on the day your lost soul was set free. I too was lost, a young woman with a wild heart in constant battle with reason. But as I matured, I realized it never really was about figuring out who I was, it was about giving my mind the freedom to constantly evolve. I owe that city so much. Even though some might consider growing up in your early twenties a little late, your city made it worth the wait. I guess I've always been a late bloomer. It’s funny now that I think of it, we both really were lost souls at the time; the difference is, as you slipped away, I awoke.
I’m sure it must have been hard seeing all your belongings scatter away in the arms of strangers. Like you, I am sentimental. Nothing breaks my heart more than the thought of letting go. However, think of it this way: a part of you now lives on in spaces bursting with life, your memory forever rising in those who interact with the objects once so dear to your heart. At first I honestly thought it was a bit selfish of Pierre, but perhaps we should try to understand that some people simply cannot live in the past. Perhaps we must respect that each individual mourns in a particular manner. We can only fight our battles with the weapons at hand. Some more powerful than others. But I find myself quite confused at times, Yves. I wonder how you would have wanted to be remembered?  In tragedy or celebration? Because my friend, you were always quite a contradiction.

I often wonder what you think of Hedi. I must admit, the S and L still seem pretty lonely without their beloved Y. I guess we have to face the fact that innovation is the symbol of this era, and unfortunately I’m not living in the most glamorous of times. However, my heart is slowly warming up to him. My Saint Laurent lace-up ankle boots are all I’ve been wearing this winter, but no matter how far these boots can take me, I will never forget the Y that is so much more than a letter on a logo. Without it lies a body lacking its spirit—the Y that breathes it into life. Even though it does not exist on tags anymore, it is forever rooted in each and every thread. You probably would have found the “AIN’T LAURENT WITHOUT YVES” campaign quite amusing; I can see you smirking about it right now. Don’t you worry dear friend, people like you simply cannot be forgotten. 
Sorry to take up so much of your time, I’m sure you still keep yourself busy wherever you are. The hopeless romantic in me has only one more thing to say to you Yves. These words of yours hold a very special place in a reckless heart: 
“The most beautiful clothes that can dress a woman are the arms of the man she loves. But for those who haven't had the fortune of finding this happiness, I am here.” 
My friend you were here, you are here and you will always be. My heart, quite torn at the moment, always feels whole on those days when I feel beautiful. Even though it is a temporary fix, I must say it helps. Thank you for not only creating beauty but finding it in each of us. 
Thank you Yves. Just ‘Yves,’ without the ‘Saint’ or the ‘Laurent.’ Thank you for understanding what it is to be a modern woman. 
So I end on this note:
May you forever be remembered as a mad one. The fragile little prince with enormous talent and most importantly, an enormous heart. 

Thank you for being you. 
Love, 
P.S: I hope you don’t mind me calling you my friend.